Ngiya Murrakupupuni (Stringybark painting)
Ngiya Murrakupupuni (Stringybark painting)
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Michelle Woody

1972 - Ngiya Murrakupupuni (Stringybark painting) 2024
  • ochre on String
Description

In her paintings, Michelle applies Tiwi earth pigments using the Kayimwagakimi comb — a painting tool made from locally harvested ironwood and

used in Tiwi ceremonial ochre body pain􀆟ng. In the long-standing prac􀆟ce of her ancestors she utilises natural ochres sourced on Country around Milikapiti to make contemporary art works. These earth pigments are collected, crushed and burned into the three colours of the island landscape: white, yellow and red.

“Artwork makes me think about the wulimawi (old people)...like going out on Country, same feeling. It makes me feel emotional, makes me think about my Ancestors and how they used to live. We need to keep that culture alive through art, ceremony and spending time on Country.” - Michelle

Woody Minnapinni

Drawing on many ancestral and creation stories, Michelle has developed unique jilamara designs using a body painting tool that refer to Country – both winga (salt water), land, fresh water and where these elements intersect.

Source: Jilamara Arts & Crafts, Melville Island NT in 2024

More by this artist

Michelle Woody 1972 - Pamijini amitiya Marriwiyi (arm bands, head band and grass skirt)
  • opchres, feathers and woven grasses
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The Wesfarmers Collection of Australian Art acknowledges all Aboriginal and Torres Strait Islander Traditional Custodians of Country and recognises their continuing connection to land, sea, culture and community. We pay our respects to Elders past and present.

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